New Leaf Passed Port
About This Artist:
Exploring the word as image and the image as word, Graham Gillmore’s work balances between treacherous antipodes: pathos and wit, defiance and charm, and more basically, the anguish of experience and the rapture of its aesthetic expression. The twisting knife of a smartass remark, the threatening anonymity of a clinical evaluation, and the famous-last-words potential of pillow talk are articulated in his oeuvre with a chromaticism their ruthlessness seems to beg. Employing puns and punch lines both lewd and mawkish, and referencing cliches, board games, rebuses, barroom banter, and graffiti, his paintings are by subtle turns playful, earnest, and caustic
About This Artwork:
Visually, Gillmore’s paintings vacillate between a sleek neon intensity bordering on the lurid, and a bumbling home spun quality recalling a troubled adolescent’s secret notebook. At times broadcasting the artificial vibrancy of candy or cosmetics, his palette suggests how the moth might see the flame. The quasi-confessional quality of certain paintings, meanwhile, intimates any urban sophisticate’s biography, suggesting the universality of both our humiliations and our kneejerk laughter at those of others.
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